Dinh Q. Lê, Splendor and Darkness #32, 2017, Foiling and screen-print on Stonehenge paper, cut, weaved and burned, 221 x330 cm,
Courtesy of Reaksmey Yean
“No one gets angry at a mathematician or a physicist whom he or she doesn’t understand, or at someone who speaks a foreign language, but rather at someone who tampers with your own language.” -Jacques Derrida
We are soothed by our own sense of what is real. Each of us approaches the world with a deeply rooted, predetermined set of views and perspective that shapes how we encounter every moment. When this foundation shakes, it can feel as though everything we thought we understood rests on a knife’s edge. Naturally our instinct is to reject anything that threatens our fragile sense of reality, but isn’t this the moment when true creativity takes place?
Umico Niwa spoke to us from Richmond, Virginia where she just graduated from Virginia Commonwealth University with an MFA in Sculpture and Extended Media. Despite the pandemic, Niwa says this has been a surprisingly good time for her and her partner, Peat Szilagyi, to make work in the studio. They have just completed a body of work
that has just been shipped for exhibition at Holding Contemporary in Portland, Oregon. The title of the show is Solar Coochie and it explores solar punk – a genre that imagines a future where we can subsist off of solar and other forms of renewable energy and reside in biosphere dwellings. There are many intersections to the work of Niwa and Szilagyi; Niwa’s work has focused on plant life as offering a different mode of gender/identity/expression/sexuality or a different mode of
existing. To hear more about this work and more from Umico Niwa, listen to the complete interview.
Reaksmey Yean spoke to us from Cambodia at the end of July 2020. He reported that Cambodia has been relatively lucky in terms of lower rates of infection and that things were slowly returning to a new normal. When we spoke, he was busy with a few personal projects including work on a novel, but his main focus has been trying to
get his gallery open. The pandemic was a major setback, but Yean, undaunted, continues to move forward toward this goal. The gallery will house work by artists from around Southeast Asia. Yean works as a curator, artist, writer, researcher and art activist and was the founder of an art collective. To hear more from Reaksmey Yean about his work, his philosophy on art and other pieces of his complex career, listen to the complete interview.
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New Conversations with Fatos Ustek
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Weekly Grants &
Resources for Artists
Every week you will find updated resources here to apply for grants, find residencies and
more.
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Time is of the essence when it comes to your art career. You must learn to use your time well, to fill it with as much activity as possible to move forward. This means in addition to your artistic practice, you must...
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As we pass through the waning days of summer and the world around us blooms its last before settling in for quiet sleep, this is no time for artistic complacency. The end of one season is the ideal time to be lining up...
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Opportunity takes many forms – from calls for submission from modest journals to commissions for paid artwork from major business entities. Art finds its way into many facets of life and behind every piece of art...
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Our world is changing, perhaps forever. Right now we are witnessing a shift in how we do business, how we relate to one another and how we interface with the world around us. Art reflects these changes as it...
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These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play offers,
residencies and more – all written by artists so that other artists can beware of situations where institutions treat artists badly, or that end up costing the artist money or are outright scams.
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