Excerpt from “Swandive” from the graphic novel Apsara Engine by Bishakh Som
“To achieve great things, two things are needed: a plan and not quite enough time.”
-Leonard Bernstein
Of all the commodities in the world, perhaps none is more precious and scarce as time. It slips quietly past, often ignored or even resented when it moves too slowly during times we’d like to be in the past. But for every single person to ever walk this earth, time is finite, and suddenly one day it is gone. We become acutely aware of the fleeting nature of time when we feel we do not have enough of it. And yet this often yields the best work. The knowledge that our time is short, whether in the
grand scheme or simply in the moment, pushes us forward and challenges us to think in ways we might not if we were to believe that our timeline was infinite.
Traci Brimhall spoke to us from Kansas in mid-August where the weather was warm though the Delta surge was making its way to the area from Missouri. Brimhall is a poet with multiple books to her name. Her most recent, Come the Slumberless from the Land of Nod came out just as the pandemic began which meant cancelled book tours and
staying home reading poetry to herself rather than to others. The work in this new book stretches far into the past, some of it from the time when she was pregnant with her son who is now eight years old. The pandemic dampened the celebratory feeling of the book launch at first, but now that our culture has adapted to a new way of connecting, Brimhall feels that the option of an online platform has actually opened the world in interesting ways. To hear more, including live readings by the poet,
listen to the complete interview.
Bishakh Som spoke to us from Brooklyn. She reported that her neighborhood was returning to some semblance of normal with people going out to eat and drink. Som was in Manhattan when we spoke, preparing to teach an in-person class, a new world for her in many ways. An author and artist, Som has published two graphic works (more
information below in the reading section of this newsletter). She is now at work on a third book having spent much of 2020 wanting to do so but finding she was not in the right frame of mind. Instead, she worked on a series of small paintings through 2020, now turning her attention to this new, long-form book project. To hear more about her work, both written and visual, listen to the complete interview.
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Splendor Solis: The Alchemical World and Artists
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Weekly Grants &
Resources for Artists
Emily Kennerk, installation, 2015
Every week you will find updated resources here to apply for grants, find residencies and more.
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New seasons bring new energy. A change in the air can mean a new resolve to do the things that need to be done to move your art career forward. Whether you’re just starting out or a seasoned professional looking for new opportunities, we have a few below to get you started on the next leg of your journey...
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Autumn is upon us. A time when the natural world begins to quiet, preparing for the dormancy of winter. And yet a time when the human world is busy as ever, a moment for artists to prepare for the coming months. The time is always right to seek out new opportunities to advance your self-made career...
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There is no moment like the present to take the next step in your art career. The past is behind us and the future has yet to be, but now, right in this very moment, you have the power to decide the next steps. Take chances, put yourself – and your work – out there and see how far it can take you. No one else...
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Art is a career, don’t let anyone tell you differently. Imagine, for a moment, asking someone what they do for a living and, upon being told they are a lawyer/ doctor/ banker/ teacher/ engineer/ etc. assuming they simply slipped into these professions with absolutely no training. Is it true that anyone can create?
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These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play offers,
residencies and more – all written by artists so that other artists can beware of situations where institutions treat artists badly, or that end up costing the artist money or are outright scams.
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