Shingo Francis, Infinite Space (red) Oil on linen 76” x 51”/ 194 x 130cm 2015
“Your strength is just an accident arising from the weakness of others.”
-Joseph Conrad, Heart of Darkness
There are no two people in this world exactly the same. Each of us journeys along an individual path, experiencing the world from an entirely personal perspective that not only shapes our outlook but carves out the ways we interact with the world around us. One person may excel at something another finds impossible to even contemplate and, in turn, may flounder at those things which others find to be almost second nature. It is this uniqueness, this innumerable combination of strengths,
weaknesses, varied traits, that makes up the rich and fascinating world in which we live.
Marco Casagrande spoke to us from the forest of Finland. He tries to spend as much time as possible in the forest and at the moment Casagrande, a trained architect, is building a log home there for an artist and his family. Much of his work centers on how to connect with nature through our basic need for
shelter. He believes that once shelter is achieved, one can concentrate on comfort and once this is achieved comes beauty, innovation and other human endeavors. Architecture, Casagrande says, must be something of a blank canvas, a reality that is not overthought to the point of becoming design. To hear more about his philosophy on architecture and the connection to nature, as well as his installation work listen to the complete interview.
Shingo Francis spoke to us from L.A. in early June where from just after Thanksgiving 2020 through February the city was ravaged by COVID-19 with something like 1 in 5 people infected. The art world – along with the rest of the city – shut down completely through the winter months. By the time we spoke,
things were opening up and Francis had attended a few openings. He described the return to artwork as a cathartic experience. His own work was included in an early April group show at William Turner
Gallery. Francis has two paintings in this show using interference paint by Golden – a medium he has been working with for the last few years. The paint contains micro-particles cut at an angle to reflect light back to the viewer. As one moves around the painting, the surface look changes
depending on the angle. To hear more about this medium and more, listen to the complete interview.
|
Rubedo: The Alchemical World and Artists
|
Weekly Grants &
Resources for Artists
Emily Kennerk, installation, 2015
Every week you will find updated resources here to apply for grants, find residencies and more.
|
As summer begins to set its waning course, the time is right to plan for the next quarter. If you’re a career artist, that could mean approaching galleries, creating new work, working to secure funding or applying to residency periods to enrich your artistic experiences. There are a number of ways that artists can...
|
The world is smaller than you think and it’s yours to explore. You were born a citizen of this planet and you have a lifetime to get to know every corner. For artists, the ability to immerse themselves in other places and cultures is not only an invaluable tool for personal growth but can...
|
The world is yours if you choose to take hold. For artists, residency can offer the opportunity to expand your horizons, grow your practice, network well outside your usual circles and embrace places and experiences you might not otherwise encounter. While not every residency will be suited to every artist, if you commit to your...
|
Onward – it’s the only way. Once you decide to go for your dreams with a career in art, you must do the work to keep the momentum going. That means learning how to navigate the often opaque art world – but it is not an impossible task. And you are not alone. There are abundant...
|
These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play offers,
residencies and more – all written by artists so that other artists can beware of situations where institutions treat artists badly, or that end up costing the artist money or are outright scams.
|
|
|