Janet Biggs, “Weighing Life Without a Scale,” 2018. Three-channel HD video installation with sound.
“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.”
-William Blake, The Marriage of Heaven and Hell
Dare to stand at the edge of the precipice. Look over the edge and see, below and above, the vastness of the universe – the infinite nature of things from which we hide our heads. A few among us have leaped from the cliff’s edge, allowed themselves to swim in the open waters of infinity. These are the philosophers, the artists, the world-changing scientists, those who are unafraid to stare into the void without expectation or need for comfort.
Jeffrey Say spoke to us from Singapore where he reports things have improved since a year ago. The country went into lockdown like much of the world, and despite an outbreak among foreign workers living in dormitories, Say says the government has managed to get things under control. For him personally, life began to get better
around August or September when he was allowed to return to face-to-face teaching. Singapore is now in phase three, masks are still required as well as social distancing, and there are some capacity limits, but many normal events and venues are beginning to blink back to life. In terms of his work, Say runs the Master’s program in modern and contemporary Asian art history at LASALLE College of the Arts. He was the designer of this program which focuses on art from the 19th century to today.
Before the pandemic, Say gave many talks at libraries, museums and galleries. He is also working on two publications, one of which is a children’s book about Asian art and culture to be published by Penguin Random House next year. To hear more about Jeffrey Say’s work, listen to the complete interview.
Janet Biggs has spent the pandemic at home in Brooklyn, NY. She jokes that she doesn’t have a studio practice, she has a travel practice. That said, the pandemic has seriously changed how Biggs works. Directly before lockdown, Biggs found herself in Florida where she launched three minerals to the International Space Station.
Since then, she has ebbed and flowed through periods of stillness and activity. Lately, Biggs says she has begun to be more consistently productive. To hear more about Biggs’ current practice, as well as a conversation about her minerals launch including details about her grandfather who, even as he succumbed to dementia, was able to identify minerals, listen to the complete interview.
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Weekly Grants &
Resources for Artists
Emily Kennerk, installation, 2015
Every week you will find updated resources here to apply for grants, find residencies and more.
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These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play offers,
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