Weekly free resources from Brainard Carey - grants, residencies, awards, and interviews with art world figures as well as book recommendations for artists like you.
Published: Wed, 02/11/26
Updated: Wed, 02/11/26
The Serpentine Gallery is one of London's great galleries that has launched the careers of many artists. Lucia Pietroiusti is in a powerful position…
Published: Tue, 02/10/26
Updated: Tue, 02/10/26
Jan Gustav Fiedler is a curator who selects galleries and artists at art fairs. He’s a global curator that is always looking for art -- as he did with…
Published: Mon, 02/09/26
Updated: Mon, 02/09/26
Sonia is London-based and has a gallery with two locations (London and Warsaw), so she knows the international market well. If you want to e hibit…
Published: Mon, 02/09/26
Updated: Mon, 02/09/26
Join a major museum at a high level of membership ($600 - $1000 a year or more) where Patrons and Curators are in attendance.Attend those private…
Published: Sun, 02/08/26
Updated: Tue, 02/10/26
Your Weekly Digest from Pra is Center for Aesthetic Studies february 8, 2026 Why Are You? by Brainard Carey Katie Simmons, Pinecone Quilt I (Side A…
Published: Sun, 02/01/26
Updated: Sun, 02/01/26
Your Weekly Digest from Pra is Center for Aesthetic Studies february 1, 2026 Not A Big Deal by Brainard Carey Paul Scott, Cumbrian Blue(s), New…
Published: Sat, 01/31/26
Updated: Wed, 02/04/26
This is the final note. Enrollment for Pra is Center closes shortly. The list-only rate of $59/month or $595/year e pires tonight. If you want your…
Published: Sat, 01/31/26
Updated: Wed, 02/04/26
After today, this private rate is no longer available, and Pra is returns to public pricing only. Public: $120/month | $1,200/yearThis list: $59/month…
Published: Sat, 01/31/26
Updated: Wed, 02/04/26
Public enrollment for Pra is now reflects its e panded scope: $120/month or $1,200/year. This list retains access to the original rate for a short…
Published: Fri, 01/30/26
Updated: Tue, 02/03/26
By the time most artists reassess their position, the year is already half over. Opportunities feel reactive rather than deliberate. Deadlines pile…