How to survive as a full-time artist in the international art market
Published: Fri, 06/21/19
I have nothing against them.
In fact, I’ve even taught as a guest lecturer at a couple MFA programmes. For example, this is me lecturing at the School of Visual Arts MFA program:

But for all their benefits, there is one thing MFAs are NOT good at:
Teaching you how to sell your art and work with galleries and biennials.
In fact, 90% of MFA programs have NO COURSES on how to get your work sold.
Or on how to survive as a full-time artist in the international art market.
Ironically, having an MFA can sometimes be the very thing that prevents you from getting discovered.
For example, I had one student who applied for shows just like she was told after getting an MFA, and later learned that galleries were rejecting her because her writing was too full of jargon.
In a word: pretentious.
But that was what she learned to do at school!
As a result, she found herself with boxes upon boxes of her art unsold, paying for storage instead of getting paid to exhibit her work.
If that has been YOUR story too, it’s time to breathe a big sigh of relief.
Now you are under my wing, and the next 7 days will turn your life around.
I am doing a live marathon training session on Monday the 24th at 12.00pm EST and I’ll teach you the exact roadmap you need to follow so that you can break into the international scene:
>> Click here to get signed up automatically <<
This is for you if you are looking to understand how the Art World really works, so you can exhibit more this year, get international visibility and sell your art at high prices.
Hundreds of students have used these same techniques to get exhibited, interviewed and sold out.
And you can too.
Why shouldn’t it be YOU who is posting something like this on Facebook:

Isn’t it high time that your work got discovered?
Best,
Brainard
PS: There will be a replay, but only for subscribers who register. So click the link above to register for the webinar even if you can’t make it to the live session.
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