Behind Closed Doors/ Yale Interviews and Resources for Artists - Your Weekly Digest
Published: Sun, 08/31/25
Updated: Sun, 08/31/25
Your Weekly Digest from Praxis Center for Aesthetic Studies
AUGUST 31, 2025
Behind Closed Doors
by Brainard Carey
Eva Lake, Egyptian Sculpture
Helmet Paper collage 23.5 x 19.5 inches 2024
“However, as soon as Mrs. Hogg stepped
into her room she disappeared, she simply disappeared. She had no private life whatsoever. God knows where she went in her privacy.”
Sometimes people seem most alive when they’re busy in the world—chatting, working, making themselves visible. But what happens when the noise fades and the door closes? Some people vanish into quiet routines, while others find their truest selves. The space between what we show and what we keep hidden is often where the most intriguing stories live.
Robert Janitz joined us to talk about his recent show at CANADA Gallery in NYC, 1001 Nights [+1]. Each of the paintings in the show tells its own story, befitting a title that reflects a book in which
the main character saves her life by telling a story every night to her husband, a king who routinely murders his wives after just one night of marriage. The +1 is a humorous nod to New York parties, where you can often bring a friend to a special party calling them a "+ one."
Eva Lake spoke to us about Because She’s Worth It, her recent exhibition at Frosch & Co. The title comes from a very successful L’Oréal hair color campaign, relevant to Lake who worked for
a long time as a makeup artist and to the work which examines the way women are valued. To learn more, listen to the complete interview.
Mirela Baciak (she/her) works as director and curator at the Salzburger Kunstverein. Her practice is grounded in the notion of hospitality as a process that captures the ethical
relation to the unknown and the Strange.
There is a decided nip in the air of evenings here in Connecticut. A preview of what’s to come, though we can’t be sure there won’t be more scorching late summer days in between. My thoughts turn to the fall and winter, and what this busier time of year may bring. For independent artists, scheduling what’s next and
figuring out how to fuel your career is a huge task. But with a little forward planning, you can keep your practice going – and growing – 24/7/365.
These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play
offers, residencies and more – all written by artists so that other artists can beware of situations where institutions treat artists badly, or that end up costing the artist money or are outright scams.