Anger can sharpen our senses or cloud them entirely. We’ve all felt the heat of a moment tip into words or actions we wish we could call back. Make space to explore what
happens when feeling right and being right don’t align—and how patience can be the quietest form of power.
JD Raenbeau joined us to talk about At Home With You, his recent show at CLAMP Gallery. While the imagery in the work featured in this exhibition is similar to past work, the color and technique differ greatly following JD’s recent access to high quality fluorescent oil paints. The paintings are tender representations of JD and his husband at home in their native garden on Long Island. To learn more about this ethereal show,
listen to the complete interview.
Madeline Peckenpaugh recently chatted
about her recent show, Chosen Places, which ran until June 25 at Alexander Berggruen Gallery. While on the surface, the work in the show depicts landscapes, there is more going on here. Objects appear to defy natural laws, an effect achieved through the process of creating the paintings in the application of the paint.
It is this process Peckenpaugh hopes viewers will be curious about as it helps inform the narrative of the painting. To learn more, listen to the complete interview.
Anahita Sadighi is a Berlin-based gallerist, curator, and cultural practitioner. Born in Tehran in 1988 and raised in Berlin, she studied cultural studies at the European University
Viadrina, and Islamic art and architecture at SOAS, University of London.
Like a
sudden summer storm, inspiration can roll in without warning—charged, electric, impossible to ignore. Chase that crackle in the air, following the lightning toward new projects, residencies, and calls that rumble with creative possibility. Here are a few to get you started.
These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play
offers, residencies and more – all written by artists so that other artists can beware of situations where institutions treat artists badly, or that end up costing the artist money or are outright scams.
