Kati Gegenheimer joined us to talk about her show, Passages, which runs until November 16 at Kristen Lorello Gallery. Each work for the show was created singularly,
accumulating over time in her studio. As they came together, they began to feel like a part of something bigger – a space to move between, an excerpt, passages. That’s where the title was born. To learn more about this exhibition and Gegenheimer’s work, including the diaristic nature of the works in this show, listen to the complete
interview.
Michael Iveson chatted with us about his show, Anon, on view
until December 5 at Foreign and Domestic Gallery. Anon refers to the characters Iveson has painted for this exhibition, all of whom appear obscured in some way. Iveson works with newspapers and magazines, using a solvent and white oil paint mixture to extract the ink from the images to use as paint. To learn more about this process, listen to the
complete interview.
Robin Frederiksen is the curator and founder of Another Public. Another Public is a socially engaged art agency that organizes collaborative art projects, programmes and exhibitions in
various cultural contexts.
We are fast approaching the time of year when making time begins to feel more challenging. As the holidays take hold, obligations might start to feel overwhelming, leaving less time than usual for the things you need to accomplish. Don’t panic. Making a plan is a great way to carve out chunks of time to ensure you line up
all your opportunities for the coming year while holding your studio practice and balancing whatever other obligations come your way. Even if you spend half an hour a day seeking out and applying to opportunities, that time matters. Do what works for you, mark your calendar (literally) and push your career forward.
These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play
offers, residencies and more – all written by artists so that other artists can beware of situations where institutions treat artists badly, or that end up costing the artist money or are outright scams.