Wrong and Strong / Yale Interviews and Resources for Artists - Your Weekly Digest
Published: Sun, 11/03/24
Updated: Sun, 11/03/24
Your Weekly Digest from Praxis Center for Aesthetic Studies
NOV 03, 2024
Wrong and Strong
by Brainard Carey
Mala Iqbal, Interrupture, 2024 Oil on canvas 72 x 96 inches.
“We learn from failure, not from
success!” -Bram Stoker, Dracula
The title of this newsletter is something that the late William Pope.L often used to say to his students. Success teaches little. What can you learn when everything goes right except perhaps
to repeat the steps that got you there? Failure, on the other hand – now this is where the good work happens. Failure may sting, but it carries with it lessons that will serve you for a lifetime. When we fail, we begin to readjust a perspective we may have carried for a very long time, refocusing on the problem we are trying to solve and finding new ways to do it.
Robin Kid talked with us about his show, Searching for America, his first solo exhibition in the U.S., which ran until October 26 at Templon Gallery. The title of the show is layered, speaking in part
to the times in which we live with rampant consumerism all around us. Kid recalls the many things from his childhood that brought him joy that turn out to be consumer products – Disney movies, toy catalogs, puzzles on the back of cereal boxes and more. Raised in a mining town in Holland, Kid also came to associate America with an idea of freedom and happiness. To hear more, listen to the complete interview.
Mala Iqbal joined us to discuss her show, The Edge of an Encounter, running through November 9 at JJ Murphy Gallery. A friend suggested the title of the show, speaking to the paintings in the show which all include some sort of an encounter. In all of Iqbal’s work, there is ambiguity, the viewer does not know whether the encounters are good or bad. Such is the case in the work in this show. To learn more, listen to the complete interview.
Daniela Holban is a Romanian curator, cultural strategist, and nonprofit executive, dedicated to public programming, artist development, site-specific art projects, and building
action-driven communities. Her curatorial practice explores themes of self-reflection, identity, and sustainability.
Stay alert to opportunity. Don’t let it pass you by. You – and only you – can build the future you desire, but there is work to be done. There are myriad resources at your fingertips if you know where to look. Now, just because there are opportunities to be had does not mean you will land every single one you go out for. But
that’s normal and OK. Simply take a breath and try again. Eventually you’ll begin building a portfolio of experiences to draw from and carry you forward.
These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play
offers, residencies and more – all written by artists so that other artists can beware of situations where institutions treat artists badly, or that end up costing the artist money or are outright scams.