We go through life with only our perspective, witnessing the world through the lens of our own
experience. But we can do our utmost to learn about how others see the world, witnessing their truths to the best of our ability in addition to our own. In this way, we begin to reshape how we approach things, perhaps shifting long-held beliefs and learning new ways of thinking. So, while indeed we spend our lives rooted in our own experience, there is no reason to exclude the experiences of others in the vast resources from which we draw to make sense of the world.
Andrew Edlin joined us to discuss his gallery, including a recently-run show titled Unaccompanied
Conversation. The idea for the show has been germinating for a long time, beginning with Edlin’s representation of the John Byam estate. Byam was a completely unknown artist who lived in Upstate New York, working in his family’s trailer park. Listen to the complete interview to hear more about this exhibition and outsider art in general.
Mark Yang sat down to talk about his show, Birth, which ran until February 17 at Kasmin Gallery. Yang originally didn’t want a title for the show, finding it difficult to come up with a word that encompasses all the
various works he’s made. This title came from the first painting he made for this show. Titled Birth, 2023, the painting was created around the time when Yang himself became a father. To learn more about this show and other aspects of Mark Yang’s work, listen to the complete interview.
Bernardo Mosqueira (Rio de Janeiro, 1988) is a curator, writer, and researcher based in New York. He is Chief Curator at the Institute for Studies on Latin American Art (ISLAA);
founder and artistic director at Solar dos Abacaxis (since 2015); and director at Prêmio FOCO ArtRio (since 2012).
As winter makes its final stand here in the northeast, the weather it brings is all over the place. One morning may be bitterly cold with wind that cuts to the bone, and the next day could bring unseasonably warm temperatures with sun shining brightly down on the barren landscape. In a way, this is an apt metaphor for an art
career. You will find yourself in times of prosperity, and you will find yourself in times when the deck feels like it is stacked against you. The important thing is to keep going no matter what. Don’t fall into complacency during the good times and don’t give in to despair during the more difficult ones.
When the time is right for you to turn your art into your livelihood, where do you turn first? How does one build a successful career in the art world, a place notorious for its
roadblocks and exclusive members-only status? The truth is that you absolutely can forge a life as a working artist, you simply need the right tools, just like with anything else. One of those tools is knowing what sort of opportunities are available – and there are a lot of them – here are a few to get you started.
These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play
offers, residencies and more – all written by artists so that other artists can beware of situations where institutions treat artists badly, or that end up costing the artist money or are outright scams.