rafa esparza,
Hermila, photo by Yomahra Gonzalez
“If we cannot even get rid of the most preposterously unnecessary emissions, how are we going to begin moving towards zero?” -Andreas Malm, How to Blow Up a Pipeline If the first month or so of summer has told us anything, it is that the climate of our planet is anything but normal. From deadly heat around the world that gave rise to three
consecutive days of record-shattering global temperatures to catastrophic rains that washed out swaths of New York State and Vermont, places typically somewhat immune to the harsher effects of weather systems, scientists are being quoted left and right on their concern that climate change is here and accelerating quickly. So, of course, our governments around the world are rushing to curb emissions and build a future in which we collectively work toward a common goal, right? And surely the
people are rising up, taking to the streets, demanding – and creating – the kind of change we need to save ourselves? … rafa esparza has an exhibition titled Camino on view through August 19 at Artist Space in NYC. The immersive installation ruminates on humans and cyborgs, mobility, access, the freeways of L.A. and more. The title has two meanings in Spanish, “road” and “I walk.” The work itself is a deconstructed section of freeway and reflects on how the construction of this system has divided the city of Los Angeles and affected lives in vastly different
ways. To learn more, listen to the complete interview. Rachel Stern joined us to talk about her exhibition, One Should Not Look
at Anything at Baxter Street at the Camera Club of New York. The title comes from a line in Oscar Wilde’s Salomé, Stern herself being something of a Wilde devotee. Indeed the play informs the work itself. She was interested in the idea behind a line like this, in the tradition of the phrase “whatever you do don’t think about elephants.” To hear more about this show, listen to the complete interview. Read the summary of this week's interviews and resources. |
Liz Siegel is the Chief Curator of the Milwaukee Art Museum. Siegel was Curator of Photography and Media at the Art Institute of Chicago, where she has worked for 25 years as a collaborative leader and developed an international reputation for curatorial scholarship and cross-disciplinary innovation. Siegel has curated or co-curated nearly 30 exhibitions emphasizing groundbreaking scholarship, engaging presentation, and accessible content. Her scholarly contributions in both print and digital formats have helped to shape the field, having authored major catalogues to accompany exhibitions as well as academic studies that
have become touchstones for scholarship. Members Click and Log In / Non-Members Click and Join |
Weekly Grants &
Resources for Artists
Every week you will find updated resources here to apply for grants, find residencies and more. |
What Does It Take? How do you keep moving forward? Are there specific steps you’re taking to make sure your art career doesn’t stagnate? One often overlooked piece of life as a working artist is just how much other stuff is involved. Certainly, your practice and the creation of your art are important, but these things cannot exist in a vacuum. No, there must be some deliberate
planning involved in any art endeavor, whether that is how to contact galleries, land funding opportunities or find residencies to further your experience. It is all grist for the mill. Here are a few upcoming deadlines to inspire you. Read more |
When the time is right for you to turn your art into your livelihood, where do you turn first? How does one build a successful career in the art world, a place notorious for its roadblocks and exclusive members-only status? The truth is that you absolutely can forge a life as a working artist, you simply need the right tools, just like with anything else. One of those tools is
knowing what sort of opportunities are available – and there are a lot of them – here are a few to get you started. |
These are positive and / or negative reviews of galleries, art fairs, consultants, writers, online pay to play offers, residencies and more – all written by artists so that other artists can beware of situations where institutions treat
artists badly, or that end up costing the artist money or are outright scams.
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